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| Musicophilia: Tales of Music and the Brain, Revised and Expanded Edition | 
 enlarge | Author: Oliver Sacks
Publisher: Vintage
Category: Book
List Price: $14.95
Buy New: $8.59
You Save: $6.36 (43%)
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Avg. Customer Rating:  95 reviews
Media: Paperback
Edition: Revised & enlarged
Number Of Items: 1
Pages: 448
Shipping Weight (lbs): 0.8
Dimensions (in): 8 x 5.6 x 0.9
ISBN: 1400033535
Dewey Decimal Number: 781.11
EAN: 9781400033539
Publication Date: September 23, 2008
Availability: Usually ships in 1-2 business days
Condition: Brand New, Perfect Condition, Please allow 4-14 business days for delivery. 100% Money Back Guarantee, Over 1,000,000 customers served.
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Amazon.com Review
Amazon Best of the Month, December 2007: Legendary R&B icon Ray Charles claimed that he was "born with music inside me," and neurologist Oliver Sacks believes Ray may have been right. Musicophilia: Tales of Music and the Brain examines the extreme effects of music on the human brain and how lives can be utterly transformed by the simplest of harmonies. With clinical studies covering the tragic (individuals afflicted by an inability to connect with any melody) and triumphant (Alzheimer's patients who find order and comfort through music), Sacks provides an erudite look at the notion that humans are truly a "musical species." --Dave Callanan
Product Description
Revised and Expanded
With the same trademark compassion and erudition he brought to The Man Who Mistook His Wife for a Hat, Oliver Sacks explores the place music occupies in the brain and how it affects the human condition. In Musicophilia, he shows us a variety of what he calls “musical misalignments.” Among them: a man struck by lightning who suddenly desires to become a pianist at the age of forty-two; an entire group of children with Williams syndrome, who are hypermusical from birth; people with “amusia,” to whom a symphony sounds like the clattering of pots and pans; and a man whose memory spans only seven seconds-for everything but music.
Illuminating, inspiring, and utterly unforgettable, Musicophilia is Oliver Sacks' latest masterpiece.
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| Customer Reviews: Read 90 more reviews...
 Musicophagia January 9, 2009
I've been a huge fan of Oliver's ever since TMWMHWFAH, I even went back and read all his previous books and I've loved (almost) everything since then. Not only do I enjoy the weird little neurological symptoms he describes but I love his folksy, self-deprecating voice.
"Musicophilia" however I found to be tough sledding -- I read at least 3 other books while trying to finish this one. The reason is not the material -- the relationship of musicality to mentation is fascinating, and he does an admirable job of covering the subject here. The problem lies in his voice -- this book is written from a somewhat scholarly third-person perspective (most of it) and it's made worse by this paperback "revised and expanded edition" which adds about 30% more to it in the form of endless repetition, tedious footnotes, and totally extraneous postscripts. Rather than using a few entertaining case histories to illustrate the subjects under discussion, Sacks lists dozens and dozens of nearly identical case histories with way too much detail and way not enough commentary.
The 425 page book could have made an entertaining 180 page book without losing any of the essential narrative. You really learn the value of a good editor when you don't have one.
 A deeply intelligent, loving book. January 5, 2009
Dr. Sacks has written a book that is astounding in its depth and love for humanity, his patients, the mysteries of life and music the great connector of us all. Music, how we each perceive it and it effects us. The stories in this book amaze and awaken us to the marvels of the brain, our wiring, science and possibility.
Tales and more tales of music and the brain January 1, 2009
I should have read the title of the book more carefully, since this book is exactly what it claims to be: a compilation of tales (on average more than 10 per chapter), most of the times lacking the neuroscientific explanations that I was looking for.
I will summarize one anecdote to exemplify what I mean: "Florence Foster Jenkins, a corolatura that attracted a sell-out audience to Carnegie Hall (...) would sing notes that were excruciatingly wrong, flat, even screechy (...) without realizing that she was doing so. (...) Whether her fans were devoted to her in spite of her lack of musicality or because of it is not clear." That's it, no further explanations. This anecdote was in a footnote, where normally I expect to find a deeper explanation left out of the text for the ease of the less scientifically interested. I think I could have come up with such a "tale" myself, without having any knowledge of either music nor neuroscience. Other tales within the text are similarly lacking deeper explanations, as the case of a man who the author met for 5 minutes (that's it, he did not mention any further study by himself or somebody else). The deepest explanations you get throughout the book are following: a) during the appearance of certain conditions, neuroscientists have used MRI techniques ("magnetic resonance imaging") to detect an activation of "x" or "y" area in the brain, which indicates that this area is involved in the specific process or b) after autopsias have been practised, neuroscientists have found out that specific areas seem larger/smaller in persons with certain conditions than in most of the people. I would have liked to know how connetions are formed in the brain like how rythm, melody or other patterns are perceived or interpreted, etc.
Anyhow, if you are a layperson like myself, the reading of so many anecdotes will give you interesting insights to a lot of conditions that you probably have never heard of. The chapter on Williams' syndrome captivated me, and imagining somebody like Clive Wearing, who had a severe amnesia is quite tough. Additionally there seems to be no other book for laypersons that covers music and the brain in a deeper fashion. The reviews for Levitin's books seemed not too promising to me, so for the moment, this is probably the book for you if you want to learn something on this truly interesting subject.
For more interesting anecdotal neuroscience themes read Phantoms in the Brain: Probing the Mysteries of the Human Mind (2-3 clinical cases per chapter but thoroughly explained, including interesting therapy that improved the patients' condition and its neurological basis) and for a more comprehensive introduction to the workings of our brain I recommend A User's Guide to the Brain: Perception, Attention, and the Four Theaters of the Brain.
Musicophilia: Reviewed December 4, 2008
This book further detailed the fascination with music's neurological connection. Why do some people have a natural talent and others don't? Absolute pitch, musical savants, 'seeing' music, memory training, and gained/lost musical abilities from accidents/health issues/etc are a few of the many topics Sacks addresses. The majority of the book are case reviews from the author's various patients & studies. There are definitely some cases that feel repetitive (Okay great...another story about another guy struck by lighting with the same reaction as the previous 2 described). For someone who is interested in music's effect on the mind (and someone who is a bit nerdy), this book is perfect for casually picking up in the evenings and reading at leisure.
Man, the musical animal December 4, 2008
Sacks does it again, merging clinical precision with insight and real affection for his patients. This time, he explores the biological foundations of music as a human experience. It turns out that music runs deep in the human brain and mind, as it does in possibly no other species. In his medical practice, Sacks has seen how music can heal, as in some Parkison's and psychiatric patients, or even harm, in rare cases where its rhythms can trigger seizures. It can reach in to patients blocked from normal communication, and it can help people reach out through stuttering or stroke-damaged failures of language. In some Tourette's patients, it can both drive creativity, and be used to channel the illness's effects away from harmful kinds of expression. It casts new light on Plato's draconian control over music in his idealized Republic - it really does have deep effect on the citizens' minds.
Since musical expression seems so deeply ingrained in the human nervous system, it seems surprising that people differ so much in how the experience it. Oddly, enjoyment and basic neurological faculties for music don't always go together. I'm one who "lack[s] some of the perceptual or cognitive abilities to appreciate music but nonetheless enjoy it hugely." I'm about as unmusical as anyone around, but usually have something playing - at least in my imagination. Others, even with fine senses of pitch or the formal nuances of music, might be quite indifferent. I found it helpful to see all the different parts of the musical sense, and to see how they fit together.
This book gives real insight into one of the most basic of human faculties. It's a study that has only recently claimed a place of its own in the scientific literature, possibly because it is so abstract and subjective. As a result, nearly everything that Sacks presents comes across as fresh knowledge. And, since it discusses parts of human nature that have rarely been discussed, it helped me to see my place in the range of human experience. My lack of musical ability has been an embarrassment, sometimes a painful one. I can, and do, enjoy it anyway, and my enjoyment is as real as anyone's.
-- wiredweird
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